HOURS: Swimming in a Sea of Abstraction

Fri, 29/09/2017 - Mon, 30/10/2017

Leonardo da Vinci urged artists to search for inspiration in the dirt on walls or the streaked patterns in stones. In the same way I have found that the accidental blot, the chance mark, or the naturally occurring stain can be a starting point for my art. Controlled accidents play a part in my paintings. Sometimes I allow oil and water based paints to react so as to create a natural fracturing. This process creates patterns through a process which echo those found in nature such as the splitting of a lighting bolt, or the way in which a river delta divides into many different streams. Other controlled accidents occur when paint is splashed or scraped across a surface. Painting an abstract image is like feeling your way in the dark.  I carefully plan each stage before it is executed. For example, when choosing colour combinations I will make several small sketches to try out various options. I work on several paintings at a time, sometimes a painting will take months to complete. Seeing a half finished painting, after a few days break, provides a key moment to make decisions on the what to do next.

Swimming in a Sea of Abstraction
 at HOURS 10 Colston Yard, Bristol, BS1 5BD


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